Saturday, 15 September 2012

Ek Doctor Ki Maut


Thanks to a post I read of Jai Arjun Singh, I happened to see two of NFDC's movies that were released during the early eighties. One was Shyam Benegal's Suraj ka Satva Ghoda, and the other was Tapan Sinha's Ek Doctor Ki Maut. The former is an account of the raconteur played to perfection by Rajit Kapoor, who, in his debut role, portrayed the experiences of a young, hapless lover whose love gets jilted not once but thrice when his love for three girls( in three different stories) remains unrequited. Rajeshwari Sachdev, Pallavi Joshi and Neena Gupta portray the roles of the three girls, and each story, narrated by the hero to his eager friends who come flocking to his house to hear a fascinating tale based on jilted love,elicits a discussion on   love, as a reflection of the socio-economic status of the lovers. In each story, our hero is doomed from the beginning as he is one of the most passive lovers around. One of his friends, played by Raghubir Yadav, has an imagination that borders on paranoia.Whatever tales that he hears our hero narrating, he goes and dreams about the characters in the most grotesque and visually disturbing manner, so that his account of those same dreams is partly comic and partly macabre. At the end of it, some images from the hero's past come to haunt him and we are left with a sense of his failure to do anything worthwhile at all.



But the better of the two was the second movie, Ek Doctor Ki Maut. As a scientist, I think it completely enamored me to the doctor, played by the inimitable Pankaj Kapoor, whose trials and tribulations as a part time scientist on the quest to find a cure for leprosy, ultimately spelt doom for him.As far as my knowledge goes, this would have to be the only movie ever made in India, that gives you the inside view of how research goes on and what a scientist faces in terms of the struggle, the hard work, the disillusion, the high of new discovery, the pain of failure and....eventually how he needs to publish his paper to get his discovery projected to the outside world.
    Pankaj Kapoor, as the humble doctor turned scientist, with a passion for his research, is a delight to watch, and Shabana Azmi is simply brilliant as his long suffering wife, who initially craves his attention and feels completely left out because of the complete devotion to his work yet who eventually becomes his biggest support in his quest to get recognition for his work. The chemistry between the two is simply awesome, and they portray the ever changing pattern of love between two people who are together for such a long time that all they need to convey love is a smile, a nod, a look and yet remain madly in love with each other. Shabana, with her tear filled eyes, literally needs no dialogues to convey her thoughts, something I observed in another power packed performance in Arth.
     After ten long years of research, Dr Dipankar Roy finally discovers a vaccine for leprosy, which when innoculated into pregnant mothers, makes their child immune to the debilitating disease. His friend who is a science correspondent( played by the young Irfan Khan), writes about this in his newspaper and this starts an avalanche of criticism from all other doctors who simply find it unbelievable that a common average doctor like Dipankar, can do something so seminal and original. As he is a government Doctor, Dipankar cannot go ahead and publish his work without the government's approval. So begins a struggle in which Dipankar, who thought his lab was the world, now begins to see that the world is a much more difficult place and mere passion for work is not sufficient.
     Until the very end, we see a losing battle, and finally, someone else, a team from London, beats him to the  publication. But all Dipankar has to say is that finally, leprosy has been eradicated from the world. There are some great scenes in the movie which provide an insight into Dipankar's way of thought. The best one is , when he gets transferred to a village near Calcutta, and his wife comes to see him. He is sick, tired, overworked and lonely without his wife. Yet, he tells her, during a stroll on the beach, that at night, when he sees the stars shining, he thinks that they are mocking mankind that in the wide universe, there are so many umpteen mysteries to be solved, yet the only thing men on this planet do is find ways of fighting and backstabbing each other. We understand how his mind works, and later, when his wife is dusting his lab, she finds that in one of his notes, he has scribbled " So much to do, so little is done. Hurry up!" The smile on her face and the sadness in her eyes tell us that now, finally, she completely understands what her husband stands for. A must watch!!


Friday, 25 May 2012

Arranged marriage

Have a look at this. Will surely bring a smile on your face. Lovely short film.


Wednesday, 25 April 2012

Tuesday, 24 April 2012

Speed painting

   Just downloaded a new application on my new Samsung Galaxy S2, called Stumbleupon. Great app!! Look what I found!!


Alma, a short film


How creepy!! Also, so sad!

Wednesday, 21 March 2012

3 Iron



     
Some months ago, I began slowly but methodically watching Korean movies. Korean dramas are quite famous for their raw emotions and slightly melodramatic content. But I did know that there are some really good movies that stand out among them. One director to look out for is Kim Ki Duk, who has been slowly and steadily gaining popularity among critiques and fans alike.

The first movie that I happened to see was “ 3 Iron” , that I found in the shelves of my university library, NTU, Singapore.  Made with calculated restraint, extreme sensitivity and subtlety, this movie could well be part of movie making syllabi. Kim Ki Duk is a tour de force and I was so impressed with his style and content , that I wasted no time in seeing a lot of his other works. But all that will come later. For now, 3 Iron it is!!

The first thing I noticed is that for the initial 15 min, there are no dialogues whatsoever. We get a glimpse of the hero, who lives life as a man on the move, pasting pamphlets on the doors of houses and then coming back at night to see which doors have not been opened, thereby confirming that the house is vacant of its inhabitants. Then he would break into that house, and spend the night there.  He would cook himself a meal, and after that he would go around the house picking all the dirty clothes and do the laundry. At times, he would also repair some broken gadget, an alarm clock, an air rifle etc, probably seeking solace in this so called good deed.

One day, he breaks into a house assuming it is empty, but huddled in a corner of a room is the lady of the house, a victim of domestic violence. He is not aware of her presence, but she sees all his eccentric ways but keeps mum. In fact, I doubt if she spoke even five complete sentences in the entire movie, but she was all the more conspicuous because of this pained silence. Her face mirrors sadness and more than that, a complete loss of hope or any desire for life. The husband comes back at night, and begins to abuse her once more. Not willing to see her suffer, the hero, rescues her by hitting the husband with a golf ball using the “3 Iron”, a lesser used golf club.

The lady decides to leave the injured husband, a tough decision considering she is helpless in the outside world. But some inherent loneliness in the hero forges a kinship between the two, and they go off on their bike, with the “3 Iron” appropriated by the hero. So begins a shared life of breaking into homes, spending nights, and all is good until one day, while practicing his swing with a golf ball tied to a tree trunk, he accidentally hits a couple travelling in a car. United by pain and loneliness, and something more than that, they share a night full of pain and guilt, then succumb to their need to love and be loved. In this manner, they become lovers, companions and reflections of each other. But one day, the hero gets caught by the local police, and the enraged husband comes and takes the lady away.

The narrative /screenplay flows like water, and a lot of emotions are depicted and silence is used as a potent tool throughout. Towards the end, the movie takes on a surreal feel when the hero in prison resorts to some optical illusions with the guard. He is later released, and word of that reaches the husband and the lady. In a bizarre end, we see that the hero, having mastered the art of making himself almost invisible, and imperceptible, is living in the same house as the lady, with the husband entirely ignorant of his existence. The very final scene is beautiful (which I’ll not divulge!!) and you see the credits rolling with a vague sense of warmth and sadness.

A must watch for all lovers of good cinema.